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Klanghelm DC8C advanced compressor v2.2.0
Team SYNTHiC4TE | Jan 31 2014 | 9.9 MB
DC8C is one of the most flexible compressors around.
While making a lot of different compression styles possible, it's general nature may be described as: clear, smooth, open, distinct.The main goal while designing DC8C was to get a very clean compressor action without unwanted and often almost unevitable artefacts/distortion. This way you can achieve almost invisible compression for your most demanding mastering sessions, when you want to avoid coloration. If you aim for colour you can choose between two saturation models. From opto style, peak compression, RMS compression, Feedback, Feedforward compression (and everything inbetween) to negative ratios, zero latency brickwall limiting, from snappy transient treatment to smooth transient rounding - everything is possible.
DC8C is available in the following formats:
Windows VST (32&64Bit)
Windows Standalone (32&64Bit)
Mac OSX AU (32&64Bit)
Mac OSX VST (32&64Bit)
Mac Standalone (32&64Bit)
Feature List
detector network and gain reduction smoothing for extra smooth operation
? choose between two different attack and two release curves
? clean mode (100% clean compression with no intermodulation, no distortion, no aliasing)
? up to 8x oversampling
? sidechain filter with high pass & low pass filter plus tilt control, which let's you shift the frequency response
of the detector
? customize the program dependency of the compressor seperately for Attack and Release
? GR-smoothing control to dertermine, how sensitive the compressor reacts to changes in the computed gain
reduction, great to emulate opto style compression
? hold control for heavy pumping compression effects
? pre comp control to delay the start of the attack to leave transients completely alone or radically shape the attack
? calibration control not only to set the reference level for the meters but also for the whole signal path.
the higher the value, the softer the compression characteristics and the lower the saturation amount
? unique Feedback-Mix-Control, which lets you determine, how much of the compressor's output is fed back into the detector.
This way it is possible to morph between Feedback and Feedforward Compression topologies
? zero latency limting mode
? true zero attack (0.0 ms)
? negative ratios possible
? parallel compression, peak-compression, RMS-compression
? easy mode which features 4 different compression styles
? lots of comprehensive presets to keep you started
Changelog
FIX: overs in LIMITER mode under some circumstances.
CHANGE: feedback signal is grabbed before the output control now: so increasing output gain doesn't lead to more gain reduction, when feedback is used for the detector (FB-MIX > 0 and EASY modes).
CHANGE: updated feedback path to avoid "clickiness" at very short attack times and and heavy gain reduction.
CHANGE: when using the mix control the dry mix signal is the unprocessed signal without input and output gain and without saturation.
CHANGE: negative release PROG DEP is now possible in SMASH mode too making release times down to 2ms possible on extreme settings and high GR.
FIX/CHANGE: attack PROG DEP is working as expected now, it's been completely rewritten and detached from the release PROG DEP. So it's easier to use both attack and release PROG DEP at the same time.
CHANGE: internal timings of oversampled and non-oversampled operation are aligned now.
INFO: http://redi.se/1ee
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